Documentary Lecture Sequences

Just as with drama, we direct sequences for documentaries which represent reality based on prior research. 

Make sure your sequences are:

• INTERESTING,
•  CREATIVE 
• RELEVANT 
• PROPERLY SET UP FOR LIGHT & SOUND 

Sequencing contributors and talent

When dealing with paid talent you can usually ask them to do whatever you creatively want for the film.

When dealing with members of the public this is potentially more tricky. Ensure you have talked through your plans with them prior to the shoot so that you know they are happy with arrangements. Gaining trust is key to dealing with ‘real’ people – this is built up during the pre production process.

Scripting, Storyboarding & shot lists

It is important to consider what and how you will shoot your sequences and actuality to the shoot day. You can work through your ideas in your script and through storyboards to generate shot lists for the shoot. 

REALISM.

Actuality is very difficult to film and thus to edit – you cannot control the action so therefore controlling your camera and what you shoot is even more important.

They are often shot handheld to improve responsiveness and flexibility – in fact conventions have evolved whereby the ‘wobbly’ look of actuality is expected and adds to the sense of ‘reality’ and events unfolding unfettered by the production team.